Julie Parsons, Rob Giles and Daniela Chivers: the i-poem giving voice to stigmatised storytellers.

This blog post draws on data from a ‘Finishing Time’ (FT) project*, that makes use of timelines and images with graduates from a prisoner resettlement scheme (LandWorks), in research encounters that aim to map/chart their journeys beyond prison or community punishment. The focus is on the collaborative processes involved in creating audio visual work that … More Julie Parsons, Rob Giles and Daniela Chivers: the i-poem giving voice to stigmatised storytellers.

Nicola Harding: picturing subjugated knowledge, an argument for creative criminology

Nicola Harding, Leeds Trinity University, Wednesday 23rd August 2017,  The Old Hall, Girton College, Cambridge, with a response from Dr Jonathan Harvey, Plymouth Marjon University. Abstract: Constructing the everyday experiences of women subject to punishment in the community as subjugated knowledge poses methodological challenges. Challenges that feminist criminology and visual criminology have the potential to … More Nicola Harding: picturing subjugated knowledge, an argument for creative criminology

Collage

Collage: “A composition of objects that do not touch – but nonetheless participate in the same intimacy” (Matisse in the Studio, Exhibition, Royal Academy 2017) Andy: It was with a certain amount of trepidation that I gazed upon the pastels, paints, wool, glitter and marker pens spread across the table as I tried to conjure up … More Collage