Julie Parsons, Rob Giles and Daniela Chivers: the i-poem giving voice to stigmatised storytellers.

This blog post draws on data from a ‘Finishing Time’ (FT) project*, that makes use of timelines and images with graduates from a prisoner resettlement scheme (LandWorks), in research encounters that aim to map/chart their journeys beyond prison or community punishment. The focus is on the collaborative processes involved in creating audio visual work that … More Julie Parsons, Rob Giles and Daniela Chivers: the i-poem giving voice to stigmatised storytellers.

Kitrina Douglas & David Carless: Reflection on a journey into the unknown

It’s November in England’s most southerly and westerly county, Cornwall, home to wreckers and smugglers, sea mists and winter swells that break the hulls of vessels and undermine the strengths of cliffs. Of course, most of the vessels driven over savage rocks have long gone. Yet, their skeletons or exposed ribs can sometimes be spotted … More Kitrina Douglas & David Carless: Reflection on a journey into the unknown

Collaborative ‘zines’

Andy and Julie: When we were discussing a potential topic for our zine, we were both drawn to the notion of how we use ‘the self’ in both applied social work and participatory research practice. Julie recounted a story about ‘emotional labour’ (Hochschild 1979, 1983) during recent research encounters and the demands and intensity of … More Collaborative ‘zines’

Collage

Collage: “A composition of objects that do not touch – but nonetheless participate in the same intimacy” (Matisse in the Studio, Exhibition, Royal Academy 2017) Andy: It was with a certain amount of trepidation that I gazed upon the pastels, paints, wool, glitter and marker pens spread across the table as I tried to conjure up … More Collage