Collage

Originally posted on Collaborations In Research:
Collage: “A composition of objects that do not touch – but nonetheless participate in the same intimacy” (Matisse in the Studio, Exhibition, Royal Academy 2017) Andy: It was with a certain amount of trepidation that I gazed upon the pastels, paints, wool, glitter and marker pens spread across the table…

Ruth Armstrong and Amy Ludlow: What’s so good about participation? Discomforts, harms and potential.

Dr Ruth Armstrong and Dr Amy Ludlow from Cambridge University, Wednesday 23rd August 2017, The Old Hall, Girton College Cambridge, with a response from Dr Geraldine Brown, Coventry University. Abstract: Drawing on our experiences over the last four years of building learning communities of students within higher education and criminal justice organisations, this presentation will … More Ruth Armstrong and Amy Ludlow: What’s so good about participation? Discomforts, harms and potential.

Fergus McNeill: Distant Voices, Coming Home…

Professor Fergus McNeill, University of Glasgow, Wednesday August 23rd 2017, The Old Hall, Girton College, Cambridge, with a response from Sarah Hocking, project Coordinator for LandWorks CIO. Abstract: This workshop combines presentation, performance and discussion in order to explain and explore the ‘Distant Voices: Coming Home’ project. This 3-year ESRC funded project blurs the boundaries … More Fergus McNeill: Distant Voices, Coming Home…

Nick Hardwick: experts by experience: prisoners as researchers, ethical and practical problems…

Professor Nick Hardwick, Royal Holloway, University of London, Tuesday 22nd August 2017, room C16, Girton College, Cambridge, with response from Andy Whiteford, University of Plymouth. Abstract: This presentation will focus on presenting and leading discussion on the possible ethical and practical challenges on working with prisoners as researchers – as participants rather than subjects – … More Nick Hardwick: experts by experience: prisoners as researchers, ethical and practical problems…

Nicola Harding: picturing subjugated knowledge, an argument for creative criminology

Nicola Harding, Leeds Trinity University, Wednesday 23rd August 2017,  The Old Hall, Girton College, Cambridge, with a response from Dr Jonathan Harvey, Plymouth Marjon University. Abstract: Constructing the everyday experiences of women subject to punishment in the community as subjugated knowledge poses methodological challenges. Challenges that feminist criminology and visual criminology have the potential to … More Nicola Harding: picturing subjugated knowledge, an argument for creative criminology

Collaborative ‘zines’

Andy and Julie: When we were discussing a potential topic for our zine, we were both drawn to the notion of how we use ‘the self’ in both applied social work and participatory research practice. Julie recounted a story about ‘emotional labour’ (Hochschild 1979, 1983) during recent research encounters and the demands and intensity of … More Collaborative ‘zines’

Collage

Collage: “A composition of objects that do not touch – but nonetheless participate in the same intimacy” (Matisse in the Studio, Exhibition, Royal Academy 2017) Andy: It was with a certain amount of trepidation that I gazed upon the pastels, paints, wool, glitter and marker pens spread across the table as I tried to conjure up … More Collage